前(🈯)身是皇(🌠)軍軍港的吳(wú )港,戰後成為(🐌)船塢工(gōng )人的生(shēng )(😘)活煉獄。在資本家剝(🎺)削(xuē )和枯燥(zào )生(🥈)活(🐉)的雙(shuāng )重(chóng )煎熬下,躁動(dòng )(💤)的(😧)年輕(📿)生命,一頭栽進暴力漩(xuán )渦,延(yán )擱成長,終(zhōng )日(rì )在(zài )打(dǎ )鬥(dòu )、賭博、酗(🙍)酒中(✳)尋找暫時(🚉)的麻(🚥)醉。吉(🛺)田喜重通過工頭之(zhī )眼,對不合理的社(shè )(🕕)會現(xiàn )實作(🤷)出欲迎(⏺)還(hái )(🚢)拒(jù )(🌙)的批判,被視為日本新(xīn )(⏯)浪潮代(dài )(🔢)表作(zuò )之一(yī )。香山美子(🥔)飾演純真的(🔝)酒(jiǔ )館女(nǚ )待,同情工人卻慘被強姦,正與(🈴)負的(de )(⛏)能量,在大時代中比拼互滲(shèn ),可有超越對與(yǔ )錯,是(🧣)與(🤖)非的位(wèi )置?片(🤘)末火車站送別一場,在家和社會之間,吉田(🐛)喜重作出了(le )左翼的選擇。 (💹) One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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