前身(🕕)是皇軍軍(🔨)港的吳(✒)港(gǎng ),戰後(hòu )成為船塢工人的生(shēng )活煉獄。在資本家剝削和枯燥(🆖)生活的(de )(🛤)雙重(chóng )煎熬(áo )下,躁動的年輕(📿)生命,一(🎲)頭栽進暴力漩渦,延(🖲)擱(gē )成(chéng )長,終日在(zài )打鬥、賭博(bó )、酗酒中尋找暫(🛹)時(shí )的麻醉。吉(🛺)田喜(🎿)重通過工頭之眼(yǎn ),對(duì )不合(🚑)理的社會現實(🐖)作出欲迎還(🚢)拒的批(pī )(🧚)判,被(bèi )視為日本新浪潮代表作之(🦗)一(yī )(🌑)。香山美(měi )子(🥔)飾(shì )(💻)演純真的(🔝)酒(jiǔ )館女(nǚ )待(dài ),同情工(gōng )人卻(👓)慘被強姦(⛓),正與負的能量,在大(dà )時代中比(⛳)拼互滲,可(🏯)有超越(yuè )對(duì )與錯(cuò ),是與非的位(🌮)置?片末火車站送別(🏉)一(🥊)場,在(🛎)家和社會之間,吉(🏻)田喜重(⛏)作出了左翼的(de )選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. (👫) - SummerIFF 2007
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